“Relative Man: the Music of Ionel Petroi,” by Ionel Petroi and Ivanka Stoïanova.
Born
in Yugoslavia into an ethnic Romanian family, raised in Serbia, groomed
in the Paris music circle before relocating to New York, if anything,
provide a strong metaphor for Ionel Petroi’s “Musique Relative.” What came first the relative identity or the music? Is this latter the emanation of the former?
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